One-paragraph reviews of movies watched in the recent past:
Run Lola run: I could not figure out what all the brouhaha about the movie was for. Apart from Franka Potente’s flaming red hair, there was nothing that I could find in the movie that would (or did) stay with me 5 minutes after the movie got over. So this girl’s dad is cheating on her mom. So her boyfriend is about to rob a supermarket. So there are these long (and close-up) shots of a no-doubts-pretty-but-not-quite-Bo-Derek girl running all about town. So life has innumerable possibilities. So what?
Children of Heaven: Perfect, is a difficult word to use for any movie. But for this little masterpiece from Iran, I must. Know what? I think that the toughest thing for any movie-maker to make the normal and the commonplace, arresting. And
Khalid Khalidi Majid Majidi performs this difficult task with élan. And as the movie eventually came to an end, I just did not feel like letting go. I just wanted to stay in the world of Ali and Zahara for a while more. Beautiful. Don’t miss.
The Interpreter: Hurriedly seen. Nothing special.
Agantuk: One of my top five favourites of Ray. Watching this movie after nearly five years. This was the last hurrah for arguably the greatest Indian director of all times, and one of the greatest Indian actors as well. And they did not fail in showing us for the last time, their calibre. I have always felt that with Ray’s urban movies, the awesomely humorous wordplay that he indulges with in the screenplay is very often lost in translation. Ray, for all his exposure to western movie-making, never for once compromised on his Indian-ness or his Bengali-ness. For all for you who have recently (or never) been exposed to Ray’s movies, Agantuk is the perfect start. Of course, but too many others are, too.
In America: Not quite the perfection that Children of Heaven is, In America is much more poignant, more devastating, and of course wants to say much more as a film. And manages to do so too. Was completely taken aback by this semi-autobiographical movie by director Jim Sheridan, describing the life of an immigrant family in I guess the 1960’s in Manhattan, and trying to cope with the triple pains of poverty, a completely new city and the death of a child. And yet how they find, and hold on to what little joy that comes their way. Djimon Hounsou and Samantha Morton are absolutely fabulous, but the two kids Emma and Sarah Bolgar totally steal the show. Have seen very few child actors performing at this level in a movie.
Shwaas: The reviews have not been consistently favorable, but the ones who matter have told me that this is a movie worth seeing. So I saw the movie. And was not disappointed. And they say the movie was maudlin. You know, I wonder if one can make a non-maudlin movie about the relation between a doting grandpa and a grandson who is sure to be either blind or dead in a few days. And also, for the few reviews I have read, one was in IMDB which says that in this movie “The final reels indirectly imply that a blind life is a wasted one”. Well, to start, a tiny boy from the village is about to get blind. Portray one’s self in the grandfather’s shoes. What would one expect to think? Blabbering morality is fine, folks, but reality does suck, and often, you know!
Ray: Not Satyajit, but Charles. Innumerable similarities to
Ali. Great acting in an average movie. I have noticed that in biopics of really famous folks, the story gets totally neglected and what is left over is just the lead person’s acting. But of course this is a life-time role for Jamie Foxx as it was for Will Smith. But of course they did justice to it. But what about the movie? Most often, it does not quite become a movie, it remains just a biopic, almost a documentary but not quite. As for Ray, It’s got average screenplay, does not hold the interest of the public for the whole time, and apart from a performance from Jamie Foxx which, in one word, is HUGE, there is seriously very little else to take home from this movie.